A woman in a red saree and a man in a green shirt hold hands, facing each other, while people watch in the background amid dramatic lighting and some scattered debris.

Prep School: Counting and Cracking

The sweeping, episodic play features nineteen performers from across the globe on a multi-generational journey of a Sri Lankan-Australian family from 1956-2004. Over the course of its run, Counting and Cracking mirrors themes from the playwright S. Shakthidharan’s own life.

The creation of this play is an exercise in healing generational trauma, not just for Shakthidharan’s family, but for Shakthi’s mother, the cast, and those in the audience who have experienced a similar story of remembering and forgetting one’s history. The use of Tamil and Singhalese, as well as Bharathanatyam choreographed by Shakthi’s mother aid in this mission of remembrance. 

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Sonia Das on Migration

Migration is a ghostly experience of epic proportions.

Five men in white cloths stand around a seated man in white on a bench, on a stage with dramatic lighting and fog, evoking an intense or emotional moment in a theatrical performance.

GET THEE TO THE LIBRARY

Recommended readings to get you in gear for the show… or to get your research into a higher gear post-show, when you can’t stop thinking about it.

  • Judith Betts & Claire Huggins, The Sri Lankan Civil War and Australia’s Migration Policy Response: A Historical Case Study with Contemporary Implications (2017)
  • Abhijit Dasgupta, Repatriation of Sri Lankan Refugees: Unfinished Tasks (2003)
  • Tasha Manoranjan, Beaten but not Broken: Tamil Women in Sri Lanka (2010)
  • People for Equality and Relief in Lanka: Black July: A Tamil Genocide (2023)
  • Manohari Velamati, Sri Lankan Tamil Migration and Settlement: Time for Reconsideration (2009)

READ ALL ABOUT IT


Counting and Cracking
 at NYU Skirball is a North American premiere. The world premiere was in Sydney, Australia in 2019.

how a three-hour Sri Lankan war epic became one of the great Australian plays

“It seems to vibrate with the spirit of Sri Lanka itself. It also expands our concept of Australian theatre, pushing out the boundaries of our national identity.”

The Guardian | June 19, 2024(opens in a new tab)

How writing the epic play Counting and Cracking helped Tamil playwright S. Shakthidharan’s mum face her trauma

“The story of the mother and son, and of the grandfather, are very close to stories in my own family.“

ABC Arts | May 26, 2024(opens in a new tab)