Why you shouldn’t miss this!
Why you shouldn’t miss this!
Compelling … balanced … breathtaking.
In this captivating rendition of Antigone, witness the stirring performance by Amazon indigenous activist Kay Sara in the titular role, accompanied by a Greek chorus comprised of survivors from Brazil’s historic Landless Workers’ Movement (MST) massacre in 1996. The production examines the Greek classic as an allegory for political struggle and fierce resistance against the implacable greed of a modern, devastating world.
Director Milo Rau and his team embarked on a journey to the heart of Brazil’s Pará state, where the ravages of capitalism devour nature and displace communities. Collaborating with MST, the world’s largest landless workers’ movement, they craft a compelling narrative that sheds light on the violent upheavals inflicted by modern states, prioritizing private interests over ancestral rights to the land.
Following the success of Orestes in Mosul and The New Gospel, Milo Rau’s trilogy of ancient myths culminates in the lush landscapes of the Amazon rainforest. Experience the fusion of art and activism as Brazilian and European actors unite with MST activists, delivering a performance charged with political significance.
PRODUCTION WARNINGS
The production includes strong language, depictions of violence and references to suicide. Firearms with blanks are used in the production. Contains smoke and prolonged smoke effects
Antigone is in Amazon is performed in English, Portuguese, and Dutch with Dutch and English surtitles.
EL DORADO DO Carajás Massacre
On April 17, 1996, tragedy struck Brazil’s Landless Workers Movement (MST) as 19 of its members were fatally shot by Pará state military police during a protest at a private ranch in Eldorado do Carajás municipality. This horrific event, known as the Eldorado do Carajás massacre, left 69 others injured, some with severe wounds. The aftermath saw accusations flying between the MST, landowners, and the government, each blaming the other for the bloodshed, maimings, and property destruction. The MST, a beacon of hope for those with nothing, found itself thrust into the international spotlight, garnering widespread attention for its struggle. In the wake of the massacre, calls for justice echoed, with the movement’s lawyer decrying the state’s failure to provide adequate judicial and healthcare support for the victims.
Date + Time
Date + Time
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Friday Sep 27, 20247:30 PMPost-show Talk
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Saturday Sep 28, 20242:00 PM
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Saturday Sep 28, 20247:30 PM
About
About
NORTH AMERICAN PREMIERE
Director Milo Rau returns to NYU Skirball with a groundbreaking production where ancient myth meets modern-day activism.
- Fri Sep 27 – Sat Sep 28, 2024
- 7:30 PM, 2:00 PM
Run Time
1 hour and 50 minutes
Advisory
PRODUCTION WARNINGS The production includes strong language, depictions of violence and references to suicide.
Gallery
Gallery
Photo by Kurt van der Elst
Photo by Kurt van der Elst
Photo by Kurt van der Elst
Photo by Kurt van der Elst
Photo by Kurt van der Elst
Photo by Kurt van der Elst
Photo by Kurt van der Elst
Photo by Kurt van der Elst
Photo by Kurt van der Elst
Nelson Almeida/AFP
Kay Sara photo by Heloisa Bortz
Trailer
Trailer
The artist
The artist
Milo Rau
Milo Rau, a Swiss theater and film director, journalist, essayist, and lecturer, founded the theater and film production company International Institute of Political Murder (IIPM) which he has been running ever since. His productions, campaigns and films have been invited to some of the biggest national and international festivals. The Belgian newspaper La Libre Belgique recently named him “one of Europe’s most sought-after directors” with the German weekly Der Freitag describing him “as the most controversial theatre director of his generation.”
NTGent
NTGent (or Nederlands Toneel Gent) was founded in 1965 as the city theater of Ghent. As a city theater, NTGent wants to question, motivate and rouse a diverse audience. it does so by making and presenting high-profile productions and by mobilizing theatre for social debate. It presents its own theatre productions as well as guest productions, touring in Flanders, the Netherlands and internationally.
Support
Support
This project is made possible with support from the General Delegation of the Government of Flanders to the USA; the Gallatin Fund for Classics and the Contemporary; and the Society for Classical Studies.
NYU Skirball’s programs are made possible in part with support from the National Endowment for the Arts; the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; and the Howard Gilman Foundation; Dance Reflections by Van Cleef & Arpels; The Laura Pels International Foundation for Theater; Collins Building Services; Harkness Foundation for Dance; Villa Albertine; General Delegation of the Government of Flanders to the USA; Goethe Institut-New York; Austrian Cultural Forum New York; Marta Heflin Foundation; as well as our valued donors through memberships, commissioning, and Allies for Arts Access Fund support.