Show/Boat: A River

David Herskovits is the Founding Artistic Director of Target Margin Theater. He has directed a broad range of work, classics and neglected older work, new opera and music-theater, and adaptations of history and literature, for TMT and theaters, festivals, and universities all over, including The Spoleto Festival USA, Theatre for A New Audience, Lincoln Center Festival, The Bonn Biennale, The Kitchen, Mass MoCA, and many others. His Target Margin works have won multiple OBIEs and been presented nationally and internationally. David has lectured at Harvard, Yale, Williams, Wesleyan, The University of Nebraska, The School of Visual Art in Jerusalem, Juilliard, and other Universities and drama schools. He has written for The New York Times, American Theatre,Theatre Magazine, and Performing Arts Journal, among others. David does not know what a play is and seeks to answer that question.

Dionne McClain-Freeney is a musician, musical director, conductor, arranger, composer-lyricist, and actor. Recent off-Broadway and regional credits include: Composer-Lyricist and Musical Director, The Cotillion (Desk Award Nominee, AUDELCO Award Nominee); Musical Director and Conductor, When We Get There, (Sweeney Todd, Passing Strange, The Color Purple, BRECHT ON BRECHT, commissioned children’s theater works for Piper Theatre and Brooklyn Children’s Theatre,  including a song honoring, and performed live for renowned actor Viola Davis; and a song on the album, Rainbow Lullaby (Broadway Records), the world’s first collection of lullabies especially for the children of LGBTQ parents.

Dan Schlosberg’s music has been performed at Carnegie Hall, (le) poisson rouge, and David Lynch’s Festival of Disruption. Dan recently conducted/re-orchestrated Anthony Roth Costanzo’s Marriage of Figaro and current projects include music direction/orchestrations for The Last Bimbo of the Apocalypse, composition/music direction for Jeremy O. Harris’ A Boy’s Company Presents, and compositions for Patrick Wang’s film A. Rimbaud. He was the pianist for Spielberg’s West Side Story, a featured soloist for Only an Octave Apart with the NY Philharmonic and on NPR’s Tiny Desk, and has collaborated with Angel Blue, Ariana DeBose, Tony Kushner, Ben Stiller, and Justin Vivian Bond. He received a 2023 Drama Desk nomination for Outstanding Music in a Play (Montag, Soho Rep). Schlosberg is Music Director of Heartbeat Opera, and the New York Times described his work as “the vision of a master sculptor.”

Target Margin Theater exists to change our shared culture, to remake the world as a more engaged, aware, and humane version of itself. We are founded on the principle that works of art return us to real truths most powerfully by their divergence from a strict illustration of reality. Over the past 34 years, we have produced more than 50 Mainstage productions, 130 individual lab productions by emerging artists, and won multiple OBIE awards. We seek continuously to expand our conception of what can take place in a theater, through innovative, experimental performances of classic plays, opera, literature and historical sources. ‘Difference’ is the generative principle of all we do – from reimagining the relationship between audience and performed event to the strong history of age, race, and gender diversity in our company – and is one of Target Margin’s most identifiable features.