A woman in a reflective vest speaks to seated people in a theater with caution tape on rows. Another person in a vest stands nearby. The stage in the background has people gathered. The lighting is dim and dramatic.

Prep School: BAD NEWS! i was there… JoAnne Akalaitis

Theatrical legend JoAnne Akalaitis is awe-inspiring, but she’s not interested in the idea of theatre as an esoteric or exclusionary art form: “I’m not against audiences liking things. I love it when audiences like a show” (Village Voice). Her latest will no doubt be a crowd-pleaser – albeit a very small crowd! Each showing of BAD NEWS! i was there… is performed for less than 100 audience members, who will trek through the depths of NYU Skirball together, steering clear of the traditional seats; accommodations will be available for audience members with limited mobility.

The idea for BAD NEWS! i was there… came at a time when Akalaitis was considering retirement. “Every once in a while I make these announcements that I’m giving up theater for good,” she said. “I call people and tell them I’m giving it up, but no one takes it that seriously. So, [in the case of Bad News,] about two years ago I’d given it up again when someone from Poets House called and asked me to do something for the River to River Festival. I said, ‘No, I’m not in the theater anymore.’ But then I had an idea for a new show.” (Fordham News)

indefinite article

Erin Mee on BAD NEWS! i was there…

Five years ago, celebrated theatre director JoAnne Akalaitis called her friends and announced: “I’m giving up theatre.” It “doesn’t seem to be feeding me or the society.” A day later, the executive director of Poet’s House invited Akalaitis to do a piece in their space, and when she looked at the courtyard, she said: “Yes, I want to do a piece called BAD NEWS! i was there…, which is about messenger speeches from Greek plays. I had never thought about it before. The idea for this piece came from the gods.”

An older woman with short, spiky red hair, round black glasses, and red lipstick, wearing a white collared shirt, a necklace, and a black jacket, stands indoors in front of a wall.

GET THEE TO THE LIBRARY

Recommended readings to accompany the Indefinite Article by Erin B. Mee.

  • Simon Critchley, Tragedy, the Greeks, and Us. Pantheon, 2019.
  • Bryan Dorries, The Theater of War: What Ancient Tragedies Can Teach Us Today. Vintage, 2016.
  • Edith Hall, Greek Tragedy: Suffering Under the Sun. Oxford University Press, 2010.
  • Peter Meineck, Theatrocracy: Greek Drama, Cognition, and the Imperative for Theatre. Routledge, 2017.
  • Deborah Saivetz, An Event in Space: JoAnne Akalaitis in Rehearsal. Smith & Kraus, 2000.
  • Plus, a selection from JoAnne Akalaitis’s bookshelf.
  • Mary Beard, Confronting the Classics. W.W. Norton, 2013.
  • Roberto Calasso, The Marriage of Cadmus and Harmony. Penguin, 2019.
  • Edith Hall, Introducing the Ancient Greeks: From Bronze Age Seafarers to Navigators of the Western World. W.W. Norton, 2014.
  • Bernard Knox, The Oldest Dead White European Males, and Other Reflections on the Classics. W.W. Norton, 1994.
  • Nicole Loraux, Tragic Ways of Killing a Woman. Harvard University Press, 1991.
  • Seneca, Letters from a Stoic. Penguin, 1969.
  • Jean-Pierre Vernant (editor), The Greeks. University of Chicago Press, 1995.

Bonus: The Mabou Mines (1966-2000) archive is housed at NYU Fales. Browse the finding guide!

READ ALL ABOUT IT (and JoAnne)

An Inteview with JoAnne Akalaitis

“Often I think things sit around in your mind for quite a while and you don’t know why they’re there and then the reason they’re there is because they’re going to be a theater piece.”

Bomb Magazine | Apr 1, 1983(opens in a new tab)

JoAnne Akalaitis’ ‘Bad News’ premiere at Guthrie Theater marked by magisterial beauty

The movingly poetic show, Bad News! I Was There, opened in Minneapolis on Saturday at 5:30 a.m., a liminal time when both the receding darkness and the advancing light are at an equilibrium.

Jun 2, 2018(opens in a new tab)