Kyle Abraham is a dancer, choreographer, MacArthur genius – and NYU alum! He founded A.I.M (formerly “Abraham In Motion”) in 2006 and quickly rose to prominence with his “sensual, thoughtful, wild, stuttering” works that bring the politics of race, gender and sexuality to the stage.
Abraham described Live! The Realest MC in the Washington Post, when he was restaged the work in 2014:
It premiered in 2011 . . . kind of looking at masculinity through my middle school and high school years, and even still today, and thinking about what the influence was from my peers and people in my community. There was a point where I felt like I needed to put on this hip-hop bravado to be more of a man, and so this is really my take on the story of Pinocchio. But instead of his quest to be a real boy, I made it my quest to be a “real man” and thinking about what that is. And kind of flipping it in a sense. It’s really about the falsities of this caricature that you’re putting on to be seen as more of a man, when in actuality it’s making you more of a puppet — this kind of generic robot. I sometimes say it’s a gay industrial story of Pinocchio seen through a hip-hop lens.
RELATED EVENTS
RELATED EVENTS
Pamela Newkirk on A.I.M
“Post-modern gumbo.” That’s dancer/choreographer Kyle Abraham’s description of his company’s genre-bending work that fuses classical and modern dance techniques, traversing ballet and hip-hop set to music ranging from Bach and Mozart to Kanye West and Jay Z.
GET INTO IT
GET INTO IT
GET INTO KYLE
GET INTO KYLE
GET THEE TO THE LIBRARY
GET THEE TO THE LIBRARY
Recommended readings to accompany Pamela Newkirk’s Indefinite Article.
- Clare Croft, editor, Queer Dance. Oxford University Press, 2017.
- Joshua Chambers-Letson, After the Party: A Manifesto for Queer of Color Life. NYU Press, 2018.
- Fred Moten, In The Break: The Aesthetics Of The Black Radical Tradition. University of Minnesota Press, 2003.
- José Esteban Muñoz, Disidentifications: Queers Of Color And The Performance Of Politics. University of Minnesota Press, 1999.
OFFICE HOURS
OFFICE HOURS
Kyle Abraham (Artistic Director of A.I.M) and Hentyle Yapp (NYU professor) talk the origins of “Live! The Realest MC”, being on the outside, and returning to dance.
READ ALL ABOUT IT
READ ALL ABOUT IT
Kyle Abraham’s Political Choreography
His best work combines truth and beauty by making a message about race metamorphose, again and again, into symbol… Right now, Abraham has only one overriding subject, and, given the times, how could it be otherwise?
choreographer kyle abraham brings live! the realest mc to dc
[I’ve been] thinking about, what do I want my future to be in dance? Or in general. And luckily, with the MacArthur, you’re able to really ask that question and you can hopefully find time to answer it.
How Kyle Abraham Feels About Being NYCB’s First Black Choreographer in More Than a Decade
What does a piece created for NYCB by a black, male, modern choreographer/ MacArthur Fellow/ collaborator with ballerina Wendy Whelan look like?
Kyle Abraham Gets Real at On the Boards
Abraham and all his dancers are phenomenal, bringing the perfect mix of strength and grace to their performance.
Review: Kyle Abraham, Live! The Realest MC
As a dancer, Kyle Abraham seems convinced he has wings, and here we get to see lots of his birdlike stretching, preening, pecking, and attempts at flight.
Straddling Two Worlds in Search of Selfhood
Mr. Abraham, a phenomenal dancer, is but a heap of sequins on a white floor at the start of “The Realest MC.”
HIP-HOP HISTORY
HIP-HOP HISTORY
How Hip-Hop Transformed New York
When hip-hop culture started to spread in the 1980s, it changed the city in more ways than one.
When Hip-Hop First Went Corporate
From urban hymns about realizing the American Dream to the videos celebrating them, B.I.G. and others were heralding a new hip-hop epoch.

