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ABOUT
ABOUT
For nearly fifty years, Ushio Amagatsu shaped Sankai Juku into one of the most singular forces in world dance. TOTEM is his farewell.
A single monolithic form presides over the stage. Beneath it, the company moves in Amagatsu’s unmistakable idiom: bodies shaved and chalked white, descending into gravity rather than resisting it, a raised arm taking a full minute to fall. Butoh at its most austere and most transcendent, where stillness and transformation weigh the same.
Completed just before the choreographer’s death in 2024, TOTEM stands as a final testament, carried by the seven dancers who spent their lives inside his vision. Sankai Juku has brought this art to audiences across the globe for half a century. This is where it comes to rest.
Three reasons to go
Three reasons to go
THE END OF AN ERA – The final work of Ushio Amagatsu is a chance to see the closing statement of a fifty-year artistic life.
GENRE-DEFYING – An immersion in one of the world’s most revered butoh companies, whose white-painted bodies and glacial control are unlike anything else onstage.
PREVENT THE FOMO – A North American premiere of a rarely seen work by a company whose influence spans continents.
Performance Dates + Times
Performance Dates + Times
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Thursday Nov 57:30 PMOpening Night
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Friday Nov 67:30 PM
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Saturday Nov 77:30 PM
THE ARTISTs
THE ARTISTs
Sankai Juku
Ushio Amagatsu founded Sankai Juku in Tokyo in 1975 and developed a refined “second-generation” butoh that he described as a dialogue with gravity: synchronizing with it rather than escaping it. From 1980 onward, the company toured the world, becoming a fixture at the Théâtre de la Ville in Paris, which co-produced many of its works, and performing in more than forty countries. Amagatsu directed, choreographed, and designed each piece. TOTEM, his last, was completed shortly before his death in March 2024 and is danced by the company he shaped over the course of half a century.
AMAGATSU Ushio
Born in Yokosuka,Japan in 1949 and founded Butoh company Sankai Juku in 1975.
He created Amagatsu Sho (1977), Kinkan Shonen (1978), Sholiba (1979) before the first world tour i 1980. Since 1981, France and The Theatre de la Ville,Paris has become his places for creation and work and that year he created Bakki for Festival d’Avignon. The Theatre de la Ville,Paris he has created 14 productions since 1982.
Amagatsu also works independently outside Sankai Juku. In 1988 he created “Fushi” on the invitation of Jacob’s Pillow Foundation, in the U.S., with music by Philip Glass. In 1989, he was appointed Artistic Director of the Spiral Hall in Tokyo where he directed “Apocalypse” (1989), and “Fifth-V” (1990). In February 1997, he directed “Bluebeard’s Castle” by Bartok conducted by Peter Eotvos at Tokyo International Forum. In March 1998, at Opera National de Lyon, France, he directed Peter EOTVOS’s opera “Three Sisters” (world premiere), which received
“Prix du Syndicat National de la Critique, France.” “Three Sisters” has been seen in the 2001-2002 season at Theatre du Chatelet in Paris, at Theatre Royal de la Monnaie in Brussels at Opera National de Lyon, and at Wiener Festwochen 2002 in Austria. In March 2008, Amagatsu directed “Lady Sarashina,” Peter EOTVOS’s new opera at Opera National de Lyon (world premiere). “Lady Sarashina” again received “Prix du Syndicat National de la Critique, France” and it was seen in Opera Comique in February 2009 and in Teatr Wielki, Polish National Opera, in Warsaw in April 2013.
Amagatsu has also presided on the jury of International Choreographic Competition of National Academy of Dance, Italy (2011), and the Jury of the International Meeting of Dance of Bagnolet (1992). Awards and merits include the Purple-Ribbon Medal by the Japanese government (2011), Geijyutsu Sensho Prize (Art Encouragement Prize) by the Minister of Education, Culture, Sports, Science, and Technology (2004). Chevalier de l’ordre des Arts et des Letters by French Cultural Ministry (1992). Commandeur de l’ordre des Arts et des Lettres by French Cultural Ministry (2014).
Books include “Ushio Amagatsu, des rivages d’enfance au buto de Sankai Juku” (Biography dictated by Kyoko Iwaki, Actes Sud, 2013, France). “Dilogue avec la Gravite”(Actes Sud, 2000, France).
CREATIVE CREDITS
CREATIVE CREDITS
Directed, choreographed, and Conceived by: Ushio Amagatsu
Music by: Takashi Kako, Yochiro Yoshikawa
Dancers: Semimaru, Sho Takeuchi, Akihito Ichihara, Dai Matsuoka, Norihito Ishii, Taiki Iwamoto, Makoto Takese, Sotaro Ito
Assistant Director: Semimaru
Music Production: IO-Factory inc
Co-produced by: Kitakyushu Performing Arts Center, Sankai Juku
North American Tour Produced by: Pomegranate Arts
GALLERY
GALLERY
Photo courtesy of Sankai Juku
Photo courtesy of Sankai Juku
Photo courtesy of Sankai Juku
Photo courtesy of Sankai Juku
Photo courtesy of Sankai Juku
Photo courtesy of Sankai Juku
Photo courtesy of Sankai Juku
BEYOND THE STAGE
BEYOND THE STAGE

Study Guides
Sankai Juku: TOTEM—Void and Height
Prep School: Totem
PRESS
PRESS
Awesome and exquisite.
Watching Sankai Juku on stage is akin to seeing a dream unfold.
A Sankai Juku experience can continue to sink in for days.
SUPPORT
SUPPORT
NYU Skirball’s programs are made possible in part with support from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; and the Howard Gilman Foundation; Dance Reflections by Van Cleef & Arpels; Culture Ireland; The Shubert Foundation; Collins Building Services; General Delegation of the Government of Flanders to the USA; Goethe Institut New York with support from the Foreign Office of the Federal Republic of Germany; Norwegian Ministry of Foreign Affairs; Gladys Krieble Delmas Foundation; Fan Fox & Leslie R. Samuels Foundation; New England Foundation for the Arts; Harkness Foundation for Dance; and Marta Heflin Foundation; as well as our valued donors through memberships, commissioning, and Allies for Arts Access Fund support.
This project is made possible in part with support from the Harkness Foundation for Dance.