A person in a costume poses dramatically on a platform with smoke and bright light in the background, surrounded by stage props and a wooden set.

Prep School: Voyage into Infinity

Rooted in a fascination with states of impending collapse, both literal and metaphoric, Voyage Into Infinity captivates viewers through an inventive collision of reclaimed, everyday items with the spectacle that has defined much of Narcissister’s two-decade practice. The performance pays homage to Peter Fischli and David Weiss’s canonical video The Way Things Go (1987), in which the duo created and documented an elaborate Rube Goldberg machine. In contrast to the inspirational work’s unseen male creators, Narcissister’s rendition will foreground the artist and other female-appearing performers as both drivers of the action and subjects of the crowd’s fascination. Borrowing its title from a song by the hardcore band Bad Brains and featuring a live score performed by musician Holland Andrews, Voyage Into Infinity channels raw energy and a punk aesthetic. Through this work, which will exist as a video of its own right, the artist offers a contemporary, feminist revisioning of The Way Things Go. As in all of her projects, the emblematic Narcissister mask—originally repurposed from a 1960s-era wig display form—provides eerie commentary on entrenched beauty standards, the objectification of women, and the malleability of race. 

Read more about Narcissister.

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INDEFINITE ARTICLE

Barbara Browning on Narcissister

The (deliriously) creative re-purposing of found objects, devices, contrivances, machines and engines has long animated Narcissister’s work.

A person in a purple dress and large white bow holds a lit candelabra in a dark, moody setting, looking upward toward the candlelight.

GET INTO IT

GET THEE TO THE LIBRARY

Recommended readings to get you in gear for the show.

  • Grace Banks. Play with me: dolls, women, art (2017).
  • Tiffany E. Barber. Undesirability and her sisters: black women’s visual work and the ethics of representation (2025)
  • Kathy Battista. New York new wave: the legacy of feminist art in emerging practice (2019).
  • Kathryn E. Delmez, editor. Multiplicity: Blackness in contemporary American collage (2023).
  • Susan Manning, Janice Ross, and Rebecca Schneider, editors. The futures of dance studies (2020).

READ ALL ABOUT IT

There’s No Going Back: The (Mouse)Trap of Womanhood in Narcissister’s “Voyage Into Infinity” and “The Substance”

Voyage Into Infinity felt part circus, part magic show, part Warner Bros cartoon, part children’s storybook, part punk burlesque show, and part horror movie.”

Filthy Dreams | October 2024(opens in a new tab)

Self-Ownership, Skeletons, and the Benefits of Loneliness

Narcissister has provided a far-reaching, collaborative, and expansive critique of the racism and sexism inherent to the capitalist patriarchy.

Flaunt Magazine | 2018(opens in a new tab)