Black-and-white photo of a woman facing left, overlaid on a yellow background with repeated bold text reading “SKIRBALL TAPES.”.

Skirball Tapes: Karen Finley

The Interview

A NOTE FROM CATHARINE STIMPSON

On Saturday, April 8, I descended a flight of steel stairs in a building on the Far West side of Manhattan and found myself a table in a small theater. The atmosphere was cheerful and anticipatory. People could order food and drink. One man at my table was carrying flowers to give to a friend later. We were there to see one of America’s most fearless and enduring multi-media artists, a complex warrior for art, raw truths, and the freedom to express both: Karen Finley. She had called her solo performance “COVID VORTEX ANXIETY OPERA KITTY KALEIDOSCOPE DISCO.” The stage setting was simple: a rack of clothes, into which she might change, mostly simple items; a podium; a screen. Then Finley emerged, like Venus from the ocean, but a Venus dressed in a hazmat suit and decorated plastic shield. Away we all went with her, on a journey through the COVID years that was angry, hilarious, heart-breaking, and hopeful.

On Thursday, April 13, Karen Finley will be our guest on the “Skirball Tapes.” Reviews this week of her show call her a “veteran” and “fabled.” She is both. We will talk about her art, which feminism has influenced, but her significance also lies in her role as a American prophet, doing the historic work of prophets, calling out the sins and hidden traumas of a society, then offering a vision of a better society, which acts on faith, love, charity. As a prophet, she can be very funny, using irony and comedy in her truth-telling. I also wonder how she has endured, how she has kept going despite defeats (her loss with others in 1998 of a case about the arts before the Supreme Court), doubts, arrests, and vilification. Her strengths, and honesty, offer lessons for a time of turmoil.

To learn more about Finley in her own words, I recommend Shock Treatment, the 2015 expanded 25th anniversary edition, from City Lights Books.

SPeakers

Karen Finley

Catharine Stimpson

SUPPORT

NYU Skirball’s presenting programs are made possible with support from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; and by Howard Gilman Foundation; FACE Contemporary Theater and FUSED (French U.S. Exchange in Dance), programs of FACE Foundation in partnership with Villa Albertine with support from the Florence Gould Foundation, The Ford Foundation, Institut français (Paris), the French Ministry of Culture, and private donors; General Delegation of the Government of Flanders to the USA; Collins Building Services; Marta Heflin Foundation; Mertz Gilmore Foundation; as well as our valued donors through memberships, commissioning, and Stage Pass Fund support.