A musician plays the cello on stage under red lighting, with an audience seated in the background, watching attentively.

Prep School: The Conquest of Bread

Ethan Philbrick, a cellist, professor, and doctor of Performance Studies is interested in the intersection between musical performance art and abolitionist politics. His work has been praised for its uniqueness and beauty and will leave Skirball audiences fascinated. Inspired by the 19th century anarchist Peter Kropotin’s critique of capitalism, Conquest of Bread, performers utilize the words of Kropotin to engage in choral performance.

INDEFINITE ARTICLE


Shannon O’Neill on Everyday Anarchism

Renowned anarchists make their mark, too, in everyday ways.

A cellist in black performs on a platform in a large, industrial-style room. Three people sit in the background against a white brick wall, watching.

OFFICE HOURS

Ethan Philbrick and Alice Teyssier on “Choral Marx”

GET THEE TO THE LIBRARY

Recommended readings to get you in gear for the show.

  • Ethan Philbrick, Composing With, 2018
  • Matthew S. Adams, Rejecting The American Model: Peter Kropotkin’s Radical Communalism, 2014
  • Ruth Kinna, Kropotkin’s Theory of Mutual Aid in Historical Context, 1995

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