Four dancers perform on stage with dramatic lighting; the foreground features a man in brown and purple attire striking a powerful pose, while three dancers in colorful outfits move energetically behind him.

Prep School: The Reclamation

Reggie Wilson first launched the Fist and Heel performance group in 1989, producing what he calls “post-African/Neo-HooDoo Modern dances.” Drawing on the spiritual and cultural practices of Africa, the Caribbean, and the Americas, Wilson livens the stage with post-modern choreography informed by his decades of research on all things Afro-spiritual. His newest work, The Reclamation, joins the Skirball lineup this fall to enlighten audiences with histories and choreography that are sure to command our attention.

OFFICE HOURS

Reggie Wilson and André Zachery in conversation.

GET THEE TO THE LIBRARY

Recommended readings to get you in gear for the show.

  • Angela Fatou Gittens, Black Dance and the Fight for Flight: Sabar and the Transformation and Cultural Significance of Dance from West Africa to Black America, 2012
  • Carl Paris, Reading “Spirit” and the Dancing Body in the Choreography of Ronald K. Brown and Reggie Wilson, 2014
  • Jan Van Dyke, Vanishing: Dance Audiences in the Postmodern Age, 2010
  • Ojeya Cruz Banks, Critical Postcolonial Dance Pedagogy: The Relevance of West African Dance Education in the United States, 2010Susan Manning, Reggie Wilson and the Traditions of American Dance, 2015

READ ALL ABOUT IT

The Story Teller: Reggie Wilson recounts the origins of his work and The Fist & Heel Performance Group

“When Reggie Wilson answers a question he tries to hand you a complete story, traveling down side streets, pausing in front of windows and cracks in the pavement, gathering all the details he can carry.”

Sharon Hoyer for New City Stage | March 28, 2011(opens in a new tab)