Office Hours: Toshiki Okada and Tadashi Uchino on “Eraser Mountain”
After Japan’s great earthquake of 2011, a tsunami almost entirely demolished the region around the city of Rikuzentakata and thousands died. The city is now undergoing immense reconstruction to elevate the area as a countermeasure against future tsunami waves. Using local rocks to raise the land, however, has led to severe damage to surrounding mountains.
In Eraser Mountain, Japanese director Toshiki Okada and visual artist Teppei Kaneuji question this human-centric approach to the problem and ask us to reimagine the relationships between people, objects, and the world:’
Is it possible to create theater not only for the people watching at one moment in time? Can we use theater to present a world in which people and objects are completely equal, rather than trapped in their usual subservient relationship?
Learn more about Toshiki Okada and chelfitsch. Learn more about Teppei Kaneuji.
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