Prep School: Amour, Acide et Noix

Daniel Léveillé is well known in the contemporary dance space for his refined and unique choreographic style. Amour, Acide et Noix is one of many works he has produced for Danielle Léveillé Danse, which he founded in 1991. The work features talented dancers entirely in the nude, the costume Léveillé has chosen in order to “avoid any possible dissolution” of the work, and promote a true reading of the body and its movement. The performance allows us to confront fears, taboos, and desires that would otherwise remain repressed.

INDEFINITE ARTICLE

Judi Lewis Ockler on “Amour, Acide et Noix”

You had me at nudity.

Four nude people are kneeling on a dark floor with their heads down and arms extended forward, positioned in a row and illuminated by overhead light.

GET THEE TO THE LIBRARY

Recommended readings to get you in gear for the show.

  • Francis Sparshott, Some Aspects of Nudity in Theatre Dance, 1995
  • Jane C. Desmond, Embodying Difference: Issues in Dance and Cultural Studies, 1993-94
  • Maria Tsouvala and Katia Savrami, The Human Body in Contemporary Dance: from Costumes to Nakedness, 2016
  • Suzanne Jaeger, Finding a Pedagogical Framework for Dialogue about Nudity and Dance Art, 2009

READ ALL ABOUT IT

Love, Acid and Nuts Bastille Theater: Interview with Daniel Léveillé

“Rather than being in the seduction emanating from very beautiful bodies, we were in front of a sort of truth. The bodies became fragile and the spectator, rather than wanting to bring one into his bed, wanted instead to protect them, to cover them.”

Aude Lavigne for Theatre Online | 2010(opens in a new tab)