Six dancers in patterned bodysuits leap mid-air on a dimly lit stage, their arms and legs extended in unison, creating a dynamic and synchronized performance.

Prep School: Bloodlines

Acclaimed by audiences and critics alike, Stephen Petronio is widely regarded as one of the leading dance-makers of his generation. New music, visual art and fashion collide in his dances, producing powerfully modern landscapes for the senses. Founded in 1984, Stephen Petronio Company has performed in 26 countries throughout the world, including over 35 New York City engagements. www.Petron.io

“Bloodlines is a five-year project that began in 2015 to celebrate the Petronio Company’s 30th anniversary. Previous seasons have included works by Yvonne Rainer, Steve Paxton and Anna Halprin — as well as Trisha Brown, whose company Mr. Petronio danced with from 1979 to 1986.” (New York Times)

RELATED EVENTS
Nine dancers wearing tan and gray leotards are captured mid-jump and mid-pose against an olive-green background, creating a dynamic, artistic composition.
  • Thu Apr 11 – Sat Apr 13, 2019

Stephen Petronio Company: Bloodlines

  • Dance
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indefinite article

Lise Friedman on Stephen Petronio

I first saw Stephen Petronio dance in 1979. He was the first, and only, man in the Trisha Brown Company. Intense and virtuosic, he brought a liquid, muscular urgency to Brown’s filigreed movement. These same qualities, super-charged by his dances’ signature whipping limbs, have fueled his work for the last thirty-five years.

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A bald person wearing black glasses and a dark turtleneck stands in front of a crumpled metallic foil background, looking downward.

GET INTO IT

Joyce artist-in-residence Stephen Petronio

Stephen Petronio On Finding Joy In the Unknown | Dance Magazine

Confessions of a Motion Addict – Stephen Petronio

GET THEE TO THE LIBRARY

Readings to complement Lise Friedman’s Indefinite Article. 

  • Ramsay Burt, Judson Dance Theater. Routledge, 2006.
  • Roger Copeland, Merce Cunningham: The Modernizing of Modern Dance. Routledge, 2003.
  • Adrian Heathfield,  ALLY: Janine Antoni, Anna Halprin, Stephen Petronio.  Hirmer Publishers, 2018.
  • Rudi Laermans, Moving Together: Making and Theorizing Contemporary Dance. Valiz/Antennae Series, 2015.
  • Marc Strauss and Myron Howard Nadel, authors, Looking At Contemporary Dance: A Guide For The Internet Age. Princeton Book Company, 2012.

OFFICE HOURS

Stephen Petronio and Roger Copeland talk “Bloodlines”

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Stephen Petronio Continues to Reckon With His Inspirations

“Petronio could hardly be more forcefully implementing his choreographic inspirations from the past to address the current cultural moment of female empowerment.”

The Village Voice | March 21, 2018(opens in a new tab)

Making Memory

How do you write dance? Systems of dance notation have preoccupied dancers, choreographers and scholars: dig into some of the ways dance notation has developed to meet the needs of different artists. How does Petronio’s Bloodlines series contribute to the preservation of choreography?

Plus, learn about choreography archives & preservations with resources from the International Consortium for Advancement in Choreography.

EXTRA CREDIT


The title Bloodlines invokes heritage: Petronio honors and lays claim to his artistic forebears, in excess of linear narratives of biological families that “bloodlines” traditionally trace.

Queer history is full of chosen families – not only because so many of us have been disowned, estranged, or kicked out of our families of origin. At the height of the AIDS crisis, many people with AIDS relied on intimate networks of friends, lovers and activists, rather than their families of origin for caretaking. Before this, the families in the ball scene provided homes and identities to homeless queer and trans youth.

These scenes from Paris is Burning reflect both the necessity of houses, and their value beyond a simple response to trauma: the joy, pride and support that they continue to provide to so many.