Just in time for the 80th anniversary of The Wizard of Oz – the Builders Association brings their homage to the classic book and film to the NYU Skirball stage. Reflecting the technological dazzlement of the film’s switch from black and white to Technicolor, Builders Association uses “augmented reality” to elevate audience experience of the show.
RELATED EVENTS
RELATED EVENTS
R. Luke Dubuois on Elements of Oz
It’s one thing to incorporate cutting-edge technology into art. If you think about it, it’s quite normal. The history of music, to take an easy example, is very much the history of technology – unless you’re improvising with your own voice, a capella, outdoors, you’re most likely leveraging some combination of physical instruments – the core tools for making music, architecture, writing, and, in the last century, electricity, telecommunications, and computing, to make your art.
GET INTO IT
GET INTO IT
Behind the Scenes: “Elements of Oz”
Marianne Weems Video Lecture
GET THEE TO THE LIBRARY
GET THEE TO THE LIBRARY
Recommended readings to accompany the Indefinite Article by R. Luke Dubois.
- Ranjit S. Dighe, The Historian’s Wizard of Oz: Reading L. Frank Baum’s Classic as a Political and Monetary Allegory. Praeger, 2002
- Steve Dixon, Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. The MIT Press, 2015.
- Shannon Jackson and Marianne Weems, The Builders Association: Performance and Media in Contemporary Theater. The MIT Press, 2015.
- Jay Scarfone and William Stillman, The Road to Oz: The Evolution, Creation, and Legacy of a Motion Picture Masterpiece. Lyons Press, 2018.
- Evan I. Schwartz, Finding Oz: How L. Frank Baum Discovered the Great American Story. Houghton Mifflin Harcourt, 2009.
OFFICE HOURS
OFFICE HOURS
Marianne Weems, James Gibbs & Cari Ann Shim Sham on The Builders Association’s “Elements of Oz”
READ ALL ABOUT IT
READ ALL ABOUT IT
This ‘Wizard of Oz’ Experience Beams Dorothy to Your Smartphone
AR enables theater artists to create an elevated viewing experience, enhancing what is normally technically possible in live performance, and Elements of Oz is one of the first productions of its kind.
Elements of Oz: Producing Live Video and Interactive Theater
The entire production was heady stuff, calling to mind Jacques Derrida and Jean-Louis Baudry (with a heavy helping of Bertolt Brecht) as much as L. Frank Baum and Victor Fleming.
Over the Rainbow
Over the Rainbow
The 1939 cinematic classic The Wizard of Oz is a touchstone of gay culture – but why? Theories abound, from Queen Judy to coded language to the Cowardly Lion’s fabulous makeover look.
‘The Wizard of Oz’ in the LGBT community
It is, of course, common knowledge that Judy Garland is a gay icon… but what else explains the ubiquitous references to “Oz” in drag performances and in the names of bars and businesses catering to the community?
Are You a Friend of Dorothy? Folk Speech of the LGBT Community
Whatever its origins, “friend of Dorothy” illustrates several of the most important functions of folklore that serve members of the LGBT community.
Reel Pride: The Wizard Of Oz (1939)
The concept of gay icons has always fascinated me. What makes a celebrity a gay icon? Do they have to identify as queer? Outwardly support LGBTQ causes? Or is just living fabulously enough? While nowadays it seems like any celebrity a gay person likes can be called a “gay icon,” there are a few canonical gay icons like Cher, Lady Gaga, and of course, Judy Garland.
MoMA Acquires the Rainbow Flag
“I thought, a flag is different than any other form of art. It’s not a painting, it’s not just cloth, it is not a just logo—it functions in so many different ways. I thought that we needed that kind of symbol, that we needed as a people something that everyone instantly understands.”


