Seventeen people dressed in formal black attire, mostly suits, stand together facing different directions against a white background.

Prep School: La Ville Morte

Nadia Boulanger – regularly cited as the most influential music teacher in modern history – was also a composer, and this new rendition of a lost work brings attention to this aspect of her career.

Learn more about Catapult Opera and the Greek National Opera.

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The Promise of Revival by Eugenio Refini

Isn’t myth something that, originating from distant realms, merges the present with the past?

A woman in a white dress lies on a reflective table, looking upward. In the background, a person stands by a desk with golden objects, partially in shadow. The scene is dramatically lit with dark surroundings.

GET THEE TO THE LIBRARY

Recommended readings to get you in gear for the show.

  • Jeanice Brooks, The Musical Work of Nadia Boulanger: Performing Past and Future Between the Wars (2013)
  • Nadia Boulanger, Nadia Boulanger: Thoughts on Music (2020)
  • Kimberly Francis (editor), Nadia Boulanger and the Stravinskys: A Selected Correspondence (2018)
  • Kimberly Francis, Teaching Stravinsky: Nadia Boulanger and the Consecration of a Modernist Icon (2015)
  • Rosenstiel, Léonie Rosenstiel, Nadia Boulanger: A Life in Music (1982)

READ ALL ABOUT IT

Before She Became Music’s Greatest Teacher, She Wrote an Opera

“La Ville Morte” was the most ambitious project of Boulanger’s young composing career. And once it took shape, with a piano-vocal score completed that summer, she wrote under the final measures, “Alleluia!!!!”

New York Times | Apr 17, 2024(opens in a new tab)