Rivers of Sound play at the confluence of two musical traditions: jazz, and Iraqi Maqam. Amir Elsaffar, the founder of the group, grew up in Chicago, immersed in the jazz scene there (fun fact: while he is known as a trumpeter, his first instrument was the ukulele, followed by guitar, at age 9). While his father is an Iraqi immigrant, he did not grow up with the Maqam tradition, and began studying it as an adult; he learned to speak Arabic as he immersed himself in this musical and linguistic tradition. (Read more in this interview with the Shangri La Museum of Islamic Art, Culture & Design.)
Poet Zeina Hashem tells us more about the maqam tradition in her poem “Maqam”:
Where we come from, you and I,
maqam means home, means music; the Qur’an
can only be read as a song; a sheikh recites the Fatiha
as if he has built a house among the lines, the ayas.
You can listen to her read her award winning poem, plus a 10-minute conversation with Zeina Hashem and the editors of Poetry Magazine.
RELATED EVENTS
RELATED EVENTS
Ben Ratliff on Rivers of Sound
Amir ElSaffar is an Iraqi-American trumpeter from Chicago, trained in classical music and jazz. In the first years of the new century, after having won some prestigious trumpet competitions and worked with improvisers dedicated to the new, including Cecil Taylor, Vijay Iyer, and Rudresh Mahanthappa, he started to explore a centuries-old tradition of Arabic music.
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GET INTO IT
GET THEE TO THE LIBRARY
GET THEE TO THE LIBRARY
Learn more about Amir ElSaffar, plus more about Rivers of Sound.
Listen to two tracks from Amir ElSaffar and Rivers of Sound’s most recent album, Not Two (and if you want to hear more, Amir recommends that you buy it in vinyl!).
Watch some live performances and interviews with Amir and his previous group, Two Rivers, in NPR’s archives.
Read a story about Amir ElSaffar in the New York Times, and an extended interview with him in All About Jazz.
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READ ALL ABOUT IT
Amir ElSaffar: Exquisite Alchemist
Downbeat | January 2014(opens in a new tab)Acoustic Palimpsests and the Politics of Listening.
Music & Politics | Winter 2013(opens in a new tab)Everyone’s Creative: George E. Lewis and Ubiquitous Improvisation
READ MORE(opens in a new tab)The Cultural Study of Music: A Critical Introduction.
READ MORE(opens in a new tab)
EXTRA CREDIT
EXTRA CREDIT
Take a walk and hear Washington Square Park differently with the Holladay Brothers‘ site-specific composition, commissioned by NYU Skirball and available on your smartphone