A group of actors in colorful costumes stand and squat on stage, watching a performer in orange speak animatedly; a gray wall and arrow are in the background.

Prep School: Show/Boat: A River

Show/Boat: A River is a radical new imagining of the original classic from 1927. Target Margin Theater’s method of reconceptualizing theater classics for today is especially powerful in this adaptation, reflecting on the original’s historical contexts around race, class, labor and capitalism in America – as well as its legacy of breaking new ground: the original Show Boat was performed by the first racially integrated cast on Broadway, in a “musical play” that foregrounded racist violence and interracial relationships in early 20th century America, through the medium of a love story.

Show/Boat guides us to confront our past histories and use them to build something new, while vibrantly honoring the show’s legacy of theatricality and song.

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Laurence Maslon on Show/Boat: A River

Show Boat was the most advanced and adventurous musical of its day by a nautical mile.

Two performers in patterned clothing pose dramatically on stage with red lighting and dark curtains, reaching their hands upward and toward each other, creating a sense of intensity and emotion.

GET THEE TO THE LIBRARY

Recommended readings to get you in gear for the show.

  • Todd Decker, Show Boat: Performing Race in an American Musical (2013)
  • Edna Ferber, Show Boat (1926)
  • Laurence Maslon (editor), American Musicals, 1927-1949: The Complete Books & Lyrics of Eight Broadway Classics (2014)
  • J. E. Smyth, Edna Ferber’s Hollywood: American Fictions of Gender, Race and History (2021)
  • Winer, Laurie Winer, Oscar Hammerstein II and the Invention of the Musical (2023)

OFFICE HOURS

Target Margin director David Herskovits and NYU professor Kent Gash in conversation on the many iterations of Show Boat over the past 100 years.

READ ALL ABOUT IT

The Rooted Adventure of Target Margin: 1001 Nights in Sunset Park

The Target Margin mission includes the promise that the company will “aggressively cast and staff [its] work with the broadest range of people. That means racial diversity has been a guiding principle from the start.”

Brooklyn Rail | May 2018(opens in a new tab)

A Family, Our Country, the Theatre: An Interview with David Herskovits

“Memory particularly has been the engine of a lot of my interest and my work in the theatre for some years now.”

Huffpost | April 2017(opens in a new tab)