Tom à la ferme was originally published in French by Québécois playwright Michel Marc Bouchard, and is here presented as Tom na Fazenda – adapted and translated to a rural Brazilian context.
AUTHOR’S NOTE
AUTHOR’S NOTE
Losing someone suddenly is a thread that snaps, breaking the ties to the other person, the man who is no longer there. The survival instinct takes over and the unravelled pieces of life try to piece themselves together with other unravelled pieces. It hardly matters with whom or with what. Other people become synonymous with the one who is no longer there: a brother, a son, a lover. Following the accidental death of his lover, trying to get his bearings, Tom goes to the country to meet his in-laws, perfect strangers. In this austere rural environment, the neophyte in life finds himself tangled up in a story where synonyms are merely a declension of lies. The lover, the friend, the son, the brother, the nameless dead man has left behind a fable woven of false-truths which, according to his own teenage diaries, were essential to his survival because one day, in this same rural setting, one young man destroyed another young man who loved yet another. Like an ancient tragedy, years later, this drama will shape the destiny of Tom.
Adolescence is the period in which the individual’s personality evolves from that of a child to that of an adult. This evolution begins with sexual maturity and ends with social maturity. This is the crucial point in life when the diktats of normality have the most devastating effect on those who are marginal. Every day, young homosexuals are victims of aggression in schoolyards, at home, at work, on playing fields, in both urban and rural environments. Every day, they are insulted, ostracized, attacked, mocked, humiliated, wounded, beaten, taxed, soiled, isolated, tricked. Some recover, others don’t. Some become the mythmakers of their own lives. The rejection of homosexuals is not an obsolete subject as some would have us believe, especially those who are tired of hearing about it or those who believe that if the media have covered this subject, like so many others, someone must be taking care of it.
I also experimented with several happy endings for this play, but stories of reconciliation too easily relieve us of our responsibility to find solutions to conflicts. The moral of those stories is pre-fabricated. Let me try this phrase: We can all lend an ear to the pain of love, somehow, in some way, every day. Homosexuals learn to lie before they learn to love. We are courageous mythomaniacs.
GET THEE TO THE LIBRARY
GET THEE TO THE LIBRARY
Recommended readings to get you in gear for the show.
- Mary L. Gray, Colin R. Johnson, Brian Joseph Gilley, editors, Queering the Countryside: New Frontiers in Rural Queer Studies (2016).
- Joseph Jay Sosa, Brazil’s Sex Wars: The Aesthetics of Queer Activism in São Paulo (2024).
- Carly Ann Thomsen, Visibility Interrupted: Rural Queer Life and the Politics of Unbecoming (2021).
READ ALL ABOUT IT
READ ALL ABOUT IT
Tom at the Farm review – a staggering study of homophobia
It is as cruel as it is mesmerising.
Tom At The Farm Makes London Debut At The Barbican
Bouchard himself has called it one of the most beautiful and powerful stagings of his work.
RELATED EVENTS
RELATED EVENTS
- Thu Oct 8 – Sat Oct 10
Tom at the Farm
The funeral is over. The lying has just begun.
- Theater
- International
- US Premiere