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ABOUT
ABOUT
NYU Professor Julia Wolfe joins the Bang on a Can All-Stars for her Pulitzer Prize-winning oratorio Anthracite Fields. This evening brings together ambitious music and American history, with commentary from the composer herself.
Anthracite Fields gives voice to the lives, labor, and endurance of Pennsylvania coal miners and their families, drawing on oral histories, speeches, work songs, and local lore. Written for chorus and six instrumentalists, the piece moves between intimacy and monumentality with extraordinary force, transforming industrial history into a vivid musical portrait of community, hardship, and survival.
Three reasons to go
Three reasons to go
STATE OF THE UNION – A profoundly American story told through real voices, by a composer The New Yorker has called a master of overturning convention.
AWARD WINNING – A Pulitzer Prize-winning work performed by Bang on a Can All-Stars, the genre-bending ensemble Wolfe co-founded.
THE PROFESSOR IS IN – A chance to hear Julia Wolfe discuss the piece in person.
Performance Date + Time
Performance Date + Time
-
Thursday Oct 297:30 PM
THE ARTISTs
THE ARTISTs
Julia Wolfe
Julia Wolfe is a co-founder and co-artistic director of Bang on a Can, a University Professor at NYU Steinhardt, a 2016 MacArthur Fellow, and the winner of the 2015 Pulitzer Prize for Music for Anthracite Fields. Her music draws on folk, classical, and rock, distinguished by an intense physicality and relentless drive. Bang on a Can All-Stars are the collective’s amplified six-piece ensemble and longtime champions of adventurous new music. Anthracite Fields premiered in Philadelphia with the Mendelssohn Club in 2014 and received its New York premiere that May as part of the NY Phil Biennial.
Bang on a Can All-Stars
Formed in 1992, the Bang on a Can All-Stars are recognized worldwide for their ultra-dynamic live performances and recordings of today’s most innovative music. Freely crossing the boundaries between classical, jazz, rock, world and experimental music, this six-member amplified ensemble has consistently forged a distinct category-defying identity, taking music into uncharted territories. Performing each year throughout the U.S. and internationally, the All-Stars have shattered the definition of what concert music is today.
Together, the All-Stars have worked in unprecedented close collaboration with some of the most important and inspiring musicians of our time, including Steve Reich, Ornette Coleman, Meredith Monk, George Lewis, Louis Andriessen, Terry Riley and dozens more. The group’s celebrated projects include their landmark recordings of Brian Eno’s ambient classic Music for Airports and Terry Riley’s In C, as well as live performances with Philip Glass, Meredith Monk, Don Byron, Iva Bittová, Thurston Moore, Owen Pallett and others. The All-Stars were awarded Musical America’s Ensemble of the Year and have been heralded as “the country’s most important vehicle for contemporary music” by the San Francisco Chronicle.
Current and recent project highlights include their own new arrangements of Ryuichi Sakamoto’s landmark album 1996; David Lang’s before and after nature premiered with the LA Master Chorale; Julia Wolfe’s Flower Power for Bang on a Can All-Stars and orchestra, premiered with the LA Philharmonic; a new live arrangement of Terry Riley’s iconic and inspirational A Rainbow in Curved Air, celebrating the legendary composer’s 90th Birthday year (2025); a recording of legendary composer/performer Meredith Monk’s MEMORY GAME; Can Dance, a multimedia concert of collaborations between composers, filmmakers and choreographers; performances of the band’s much beloved arrangement of Brian Eno’s classic Music for Airports; Road Trip, an immersive and visually stunning concert collaboratively-composed by Bang’s founders Michael Gordon, David Lang, and Julia Wolfe; In C, a dance collaboration with Sasha Waltz & Guests based on Terry Riley’s minimalist classic; performances and recordings of Wolfe’s Pulitzer-Prize winning Anthracite Fields and groundbreaking Steel Hammer; a collaboration featuring Chinese superstar singer Gong Linna called Cloud River Mountain; and much more.
With a massive repertoire of works written specifically for the group’s distinctive instrumentation and style of performance, the All-Stars have become a genre in their own right. The All-Stars record on Cantaloupe Music and have released past recordings on Sony, Universal and Nonesuch.
CREATIVE CREDITS
CREATIVE CREDITS
Anthracite Fields was commissioned through Meet the Composer’s Commissioning Music/USA program, which is made possible by generous support from the Mary Flagler Cary Charitable Trust, New York City Department of Cultural Affairs, the William and Flora Hewlett Foundation, and the Helen F. Whitaker Fund.
Additional support was made possible through the Mendelssohn Club of Philadelphia Alan Harler New Ventures Fund; The Presser Foundation; The Pew Center for Arts and Heritage; the National Endowment for the Arts; The Musical Fund Society of Philadelphia, and the Aaron Copland Fund for Music.
Scenography for Anthracite Fields by Jeff Sugg.
GALLERY
GALLERY
Photo by Richard Termine
Photo by Chris Lee
Photo by Derek. V. Smythe
BEYOND THE STAGE
BEYOND THE STAGE

Study Guides
Julia Wolfe & Bang on a Can All-Stars: Anthracite Fields
Prep School: Anthracite Fields
PRESS
PRESS
A major, profound work.
Polished and stylistically assured.
A powerful oratorio for chorus and sextet.
SUPPORT
SUPPORT
NYU Skirball’s programs are made possible in part with support from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; and the Howard Gilman Foundation; Dance Reflections by Van Cleef & Arpels; Culture Ireland; The Shubert Foundation; Collins Building Services; General Delegation of the Government of Flanders to the USA; Goethe Institut New York with support from the Foreign Office of the Federal Republic of Germany; Norwegian Ministry of Foreign Affairs; Gladys Krieble Delmas Foundation; Fan Fox & Leslie R. Samuels Foundation; New England Foundation for the Arts; Harkness Foundation for Dance; and Marta Heflin Foundation; as well as our valued donors through memberships, commissioning, and Allies for Arts Access Fund support.