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ABOUT
ABOUT
A pizza party. A dying guest. A portal to the next world. Nature Theater of Oklahoma returns to NYU Skirball with Pizza or A Door in the Dark Does Not Dance, a chamber opera that is miniature in scale and uncompromisingly epic in ambition.
Act one starts innocently, with friends, festivity, and slices going around, until a guest reveals she is dying of a mysterious illness and vanishes from the party. Her presumed death cracks open a doorway to the next world, where the ghosts of the dead, or possibly undead, are still working through unfinished business: scores to settle, questions that demand answers. By turns intimate and cosmic, irreverent and aching. Small opera. Largest things. Pass the parmesan.
RUN TIME
100 minutes
Three reasons to go
Three reasons to go
HAT TRICK – A third visit to NYU Skirball from a company Young Jean Lee has called one of the best ensemble theater companies in the world.
GENRE-DEFYING – An opera built from the company’s singular method of taking ordinary speech and gesture and exploding them into something strange and moving.
LARGER THAN LIFE – A work that holds the domestic and the cosmic in the same hand, irreverent on its surface and quietly aching underneath.
Performance Dates + Times
Performance Dates + Times
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Thursday Feb 18, 20277:30 PMOpening Night
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Friday Feb 19, 20277:30 PM
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Saturday Feb 20, 20277:30 PM
THE ARTISTS
THE ARTISTS
Nature Theater of Oklahoma
Nature Theater of Oklahoma is a New York performance group led by Pavol Liška and Kelly Copper, who take their name from the final chapter of Kafka’s Amerika. Committed to “making the work they don’t know how to make,” they build new amalgams of opera, dance, and theater from readymade material, overheard speech, and observed gesture, and won an Obie Award for No Dice. NYU Skirball has previously presented The Pursuit of Happiness and No President, continuing its relationship with a company whose work has been commissioned by festivals and theaters across Europe and the United States, from the Burgtheater in Vienna to the Festival d’Avignon.
CREATIVE CREDITS
CREATIVE CREDITS
Conceived, Written and Directed by: Pavol Liska and Kelly Copper
Featuring: Gabel Eiben, Robert M. Johanson, Tobias Kerschbaumer, Bence Mazei, Jula Zangger and Roger sowie ein lokaler Laienchor
Original Music: Robert M. Johanson, Feat. Bernhard Fleischmann
Set And Light Design, Production Manager: Luka Curk
Light And Sound Technician: Leon Curk
Dance Captain: Bence Mezei
Co-commission, co-producers, supporters, etc.:
A production of Nature Theater of Oklahoma and GOLD & PECH Theater in coproduction with Zürcher Theater Spektakel and made with support from the
Bundesministerium für Kunst und Kultur Österreich and Land Steiermark
BEYOND THE STAGE
BEYOND THE STAGE
Culturally curious? We’ve got you. For each NYU Skirball production, we create extracurricular engagement resources to support the University’s larger academic mission. Whether you’re a student at NYU or a student of life, please explore our Prep School study guides, scholarly essays by NYU faculty, and online artists’ conversations to learn about our artists, their creative process, and all kinds of insights into the shows.
Indefinite Articles
Pursuit of Happiness
Julia Jarcho on Nature Theatre of Oklahoma
While you were living somewhere else, Nature Theater of Oklahoma became the coolest theater company in New York City.
Learn More
SUPPORT
SUPPORT
NYU Skirball’s programs are made possible in part with support from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; and the Howard Gilman Foundation; Dance Reflections by Van Cleef & Arpels; Culture Ireland; The Shubert Foundation; Collins Building Services; General Delegation of the Government of Flanders to the USA; Goethe Institut New York with support from the Foreign Office of the Federal Republic of Germany; Norwegian Ministry of Foreign Affairs; Gladys Krieble Delmas Foundation; Fan Fox & Leslie R. Samuels Foundation; New England Foundation for the Arts; Harkness Foundation for Dance; and Marta Heflin Foundation; as well as our valued donors through memberships, commissioning, and Allies for Arts Access Fund support.