Five dancers wearing white costumes and head coverings pose with arms raised, standing in a row on a dimly lit stage with a vertical reflective panel beside them.
A performer in a white mask and flowing white costume with orange accents poses dramatically on stage, one arm raised and the other bent, against a neutral background.
Five dancers with bald heads and flowing cream and blue skirts perform a synchronized, expressive dance around a vertical structure on a textured stage, reaching out with extended arms in dramatic poses under soft lighting.

Sankai Juku: TOTEM—Void and Height

ABOUT

The final work of a singular visionary.

For nearly fifty years, Ushio Amagatsu shaped Sankai Juku into one of the most singular forces in world dance. TOTEM is his farewell.

A single monolithic form presides over the stage. Beneath it, the company moves in Amagatsu’s unmistakable idiom: bodies shaved and chalked white, descending into gravity rather than resisting it, a raised arm taking a full minute to fall. Butoh at its most austere and most transcendent, where stillness and transformation weigh the same.

Completed just before the choreographer’s death in 2024, TOTEM stands as a final testament, carried by the seven dancers who spent their lives inside his vision. Sankai Juku has brought this art to audiences across the globe for half a century. This is where it comes to rest.

RUN TIME
1 hour and 15 minutes

Three reasons to go

THE END OF AN ERA – The final work of Ushio Amagatsu is a chance to see the closing statement of a fifty-year artistic life.

GENRE-DEFYING – An immersion in one of the world’s most revered butoh companies, whose white-painted bodies and glacial control are unlike anything else onstage.

PREVENT THE FOMO – A North American premiere of a rarely seen work by a company whose influence spans continents.

THE ARTISTs

Sankai Juku

Sankai Juku

AMAGATSU Ushio

AMAGATSU Ushio

Pomegranate Arts

CREATIVE CREDITS

Directed, choreographed, and Conceived by: Ushio Amagatsu

Décor: From Natsuyuki Nakanishi “Quartet, Touching Down on Land and Touching Down on Water X”

Music by: Takashi Kako, Yochiro Yoshikawa

Dancers: Semimaru, Sho Takeuchi, Akihito Ichihara, Dai Matsuoka, Norihito Ishii, Taiki Iwamoto, Makoto Takese, Sotaro Ito

Assistant Director: Semimaru

Stage Manager: Kazuhiko Nakahara

Assistant Stage Manager: Keisuke Watanabe

Lighting: Genta Iwamura

Sound: Akira Aikawa

Company Administration: Midori Okuyama, Asami Hori

Music Production: IO-Factory inc

Pomegranate Arts Production Supervisor: Tony Crawford

Pomegranate Arts Tour Manager: Amit Hevrony

Produced by: Sankai Juku (Tokyo, Japan)

North American Tour Produced by: Pomegranate Arts, Linda Brumbach & Alisa E. Regas for Sankai Juku

BEYOND THE STAGE

Two performers with white-painted skin and flowing skirts dance on a pale stage, separated by a transparent panel. One appears mid-motion while the other stands still, both reflected in the surface.

Study Guides

Sankai Juku: TOTEM—Void and Height

Prep School: Totem

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Four dancers in flowing white costumes stand on a textured stage, each at a corner, reaching upward. Behind them are large circular frames and a vertical structure at the center, under dramatic lighting.

Indefinite Articles

Sankai Juku: TOTEM—Void and Height

Thomas Looser on Sankai Juku

In many ways, butoh’s body is at once prehuman and posthuman.

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SUPPORT

NYU Skirball’s programs are made possible in part with support from the National Endowment for the Arts; New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; and the Howard Gilman Foundation; Dance Reflections by Van Cleef & Arpels; Culture Ireland; New York Community Trust; The Shubert Foundation; Collins Building Services; Fan Fox & Leslie R. Samuels Foundation; Gladys Krieble Delmas Foundation; Goethe Institut New York with support from the Foreign Office of the Federal Republic of Germany; Adam Mickiewicz Institute; Polish Cultural Institute; Villa Albertine and Albertine Foundation through the Theatre & New Forms program; Consulate General of Switzerland in New York; Harkness Foundation for Dance; and Marta Heflin Foundation; as well as our valued donors through memberships, commissioning, and Allies for Arts Access Fund support.

This project is made possible in part with support from Dance Reflections by Van Cleef & Arpels and Harkness Foundation for Dance.


The 2026 North American tour of Sankai Juku is supported by the Agency for Cultural Affairs, Government of Japan through the Japan Arts Council

Logo of the Agency for Cultural Affairs, Government of Japan, featuring a red circle containing a white and red checkered pattern.

DIGITAL PROGRAM

Explore our Digital Program to learn more about this production!