ABOUT
ABOUT
The final work of a singular visionary.
For nearly fifty years, Ushio Amagatsu shaped Sankai Juku into one of the most singular forces in world dance. TOTEM is his farewell.
A single monolithic form presides over the stage. Beneath it, the company moves in Amagatsu’s unmistakable idiom: bodies shaved and chalked white, descending into gravity rather than resisting it, a raised arm taking a full minute to fall. Butoh at its most austere and most transcendent, where stillness and transformation weigh the same.
Completed just before the choreographer’s death in 2024, TOTEM stands as a final testament, carried by the seven dancers who spent their lives inside his vision. Sankai Juku has brought this art to audiences across the globe for half a century. This is where it comes to rest.
RUN TIME
1 hour and 15 minutes
Three reasons to go
Three reasons to go
THE END OF AN ERA – The final work of Ushio Amagatsu is a chance to see the closing statement of a fifty-year artistic life.
GENRE-DEFYING – An immersion in one of the world’s most revered butoh companies, whose white-painted bodies and glacial control are unlike anything else onstage.
PREVENT THE FOMO – A North American premiere of a rarely seen work by a company whose influence spans continents.
Performance Dates + Times
Performance Dates + Times
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Friday Nov 67:30 PM
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Saturday Nov 77:30 PM
THE ARTISTs
THE ARTISTs
Sankai Juku
Ushio Amagatsu founded Sankai Juku in Tokyo in 1975 and developed a refined “second-generation” butoh that he described as a dialogue with gravity: synchronizing with it rather than escaping it. From 1980 onward, the company toured the world, becoming a fixture at the Théâtre de la Ville in Paris, which co-produced many of its works, and performing in more than forty countries. Amagatsu directed, choreographed, and designed each piece. TOTEM, his last, was completed shortly before his death in March 2024 and is danced by the company he shaped over the course of half a century.
AMAGATSU Ushio
Born in Yokosuka,Japan in 1949 and founded Butoh company Sankai Juku in 1975.
He created Amagatsu Sho (1977), Kinkan Shonen (1978), Sholiba (1979) before the first world tour i 1980. Since 1981, France and The Theatre de la Ville,Paris has become his places for creation and work and that year he created Bakki for Festival d’Avignon. The Theatre de la Ville,Paris he has created 14 productions since 1982.
Amagatsu also works independently outside Sankai Juku. In 1988 he created “Fushi” on the invitation of Jacob’s Pillow Foundation, in the U.S., with music by Philip Glass. In 1989, he was appointed Artistic Director of the Spiral Hall in Tokyo where he directed “Apocalypse” (1989), and “Fifth-V” (1990). In February 1997, he directed “Bluebeard’s Castle” by Bartok conducted by Peter Eotvos at Tokyo International Forum. In March 1998, at Opera National de Lyon, France, he directed Peter EOTVOS’s opera “Three Sisters” (world premiere), which received
“Prix du Syndicat National de la Critique, France.” “Three Sisters” has been seen in the 2001-2002 season at Theatre du Chatelet in Paris, at Theatre Royal de la Monnaie in Brussels at Opera National de Lyon, and at Wiener Festwochen 2002 in Austria. In March 2008, Amagatsu directed “Lady Sarashina,” Peter EOTVOS’s new opera at Opera National de Lyon (world premiere). “Lady Sarashina” again received “Prix du Syndicat National de la Critique, France” and it was seen in Opera Comique in February 2009 and in Teatr Wielki, Polish National Opera, in Warsaw in April 2013.
Amagatsu has also presided on the jury of International Choreographic Competition of National Academy of Dance, Italy (2011), and the Jury of the International Meeting of Dance of Bagnolet (1992). Awards and merits include the Purple-Ribbon Medal by the Japanese government (2011), Geijyutsu Sensho Prize (Art Encouragement Prize) by the Minister of Education, Culture, Sports, Science, and Technology (2004). Chevalier de l’ordre des Arts et des Letters by French Cultural Ministry (1992). Commandeur de l’ordre des Arts et des Lettres by French Cultural Ministry (2014).
Books include “Ushio Amagatsu, des rivages d’enfance au buto de Sankai Juku” (Biography dictated by Kyoko Iwaki, Actes Sud, 2013, France). “Dilogue avec la Gravite”(Actes Sud, 2000, France).
Pomegranate Arts
Since 1998, Pomegranate Arts has worked in close collaboration with a small group of contemporary artists and arts institutions to bring bold and ambitious artistic ideas to fruition. Creative and executive producers Linda Brumbach and Alisa E. Regas, along with their committed team at Pomegranate Arts, have produced the Olivier Award-winning revival of Einstein on the Beach; Taylor Mac’s epic A 24-Decade History of Popular Music, Holiday Sauce, and now – their third collaboration together, along with composer Matt Ray – a rock opera meditation on queerness called Bark of Millions; the touring production of Ambrose Akinmusire and Aszure Barton’s A a | a B : B E N D; Available Light by John Adams, Lucinda Childs and Frank Gehry; Robin Frohardt’s The Plastic Bag Store and Shopping Center of the Universe; electronic composer Jlin’s live performances; Phelim McDermott and Julian Crouch’s Shockheaded Peter; and the Drama Desk Award-winning production of Charlie Victor Romeo. In recent years, Pomegranate has expanded into non-performative mediums, including the feature documentary film Taylor Mac’s 24-Decade History of Popular Music (HBO Original Doc), the film short Taylor Mac: Whitman in the Woods (ALL ARTS), museum installations for Machine Dazzle, the Philip Glass Piano Etudes box set (publisher: Artisan Books). Pomegranate Arts is proud to support worldwide touring for kNoname Artist | Roderick George and North American touring for Batsheva Dance Company and Sankai Juku. www.pomegranatearts.com
POMEGRANATE ARTS IS THE NORTH AMERICAN REPRESENTATION OF SANKAI JUKU:
For Pomegranate Arts:
Creative & Executive Producer Linda Brumbach
Creative & Executive Producer Alisa E. Regas
Senior Producer Rachel Katwan
Operations Consultant Kaleb Kilkenny
Creative & Independent Producer Alliance Fellow Natalie Rine
CREATIVE CREDITS
CREATIVE CREDITS
Directed, choreographed, and Conceived by: Ushio Amagatsu
Décor: From Natsuyuki Nakanishi “Quartet, Touching Down on Land and Touching Down on Water X”
Music by: Takashi Kako, Yochiro Yoshikawa
Dancers: Semimaru, Sho Takeuchi, Akihito Ichihara, Dai Matsuoka, Norihito Ishii, Taiki Iwamoto, Makoto Takese, Sotaro Ito
Assistant Director: Semimaru
Stage Manager: Kazuhiko Nakahara
Assistant Stage Manager: Keisuke Watanabe
Lighting: Genta Iwamura
Sound: Akira Aikawa
Company Administration: Midori Okuyama, Asami Hori
Music Production: IO-Factory inc
Pomegranate Arts Production Supervisor: Tony Crawford
Pomegranate Arts Tour Manager: Amit Hevrony
Produced by: Sankai Juku (Tokyo, Japan)
North American Tour Produced by: Pomegranate Arts, Linda Brumbach & Alisa E. Regas for Sankai Juku
GALLERY
GALLERY
Photo courtesy of Sankai Juku
Photo courtesy of Sankai Juku
Photo courtesy of Sankai Juku
Photo courtesy of Sankai Juku
Photo courtesy of Sankai Juku
Photo courtesy of Sankai Juku
Photo courtesy of Sankai Juku
BEYOND THE STAGE
BEYOND THE STAGE

Study Guides
Sankai Juku: TOTEM—Void and Height
Prep School: Totem

Indefinite Articles
Sankai Juku: TOTEM—Void and Height
Thomas Looser on Sankai Juku
In many ways, butoh’s body is at once prehuman and posthuman.
Learn More
PRESS
PRESS
Awesome and exquisite.
Watching Sankai Juku on stage is akin to seeing a dream unfold.
A Sankai Juku experience can continue to sink in for days.
SUPPORT
SUPPORT
NYU Skirball’s programs are made possible in part with support from the National Endowment for the Arts; New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; and the Howard Gilman Foundation; Dance Reflections by Van Cleef & Arpels; Culture Ireland; New York Community Trust; The Shubert Foundation; Collins Building Services; Fan Fox & Leslie R. Samuels Foundation; Gladys Krieble Delmas Foundation; Goethe Institut New York with support from the Foreign Office of the Federal Republic of Germany; Adam Mickiewicz Institute; Polish Cultural Institute; Villa Albertine and Albertine Foundation through the Theatre & New Forms program; Consulate General of Switzerland in New York; Harkness Foundation for Dance; and Marta Heflin Foundation; as well as our valued donors through memberships, commissioning, and Allies for Arts Access Fund support.
This project is made possible in part with support from Dance Reflections by Van Cleef & Arpels and Harkness Foundation for Dance.
The 2026 North American tour of Sankai Juku is supported by the Agency for Cultural Affairs, Government of Japan through the Japan Arts Council



DIGITAL PROGRAM
DIGITAL PROGRAM
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