Show/Boat: A Conversation
Show/Boat: A Conversation
This event has been rescheduled for Wednesday, February 5 @ 6:30PM (originally scheduled for Tuesday, January 28 @ 6:30PM).
Join Professor Laurence Maslon (NYU Tisch) and Professor Michael Dinwiddie (NYU Gallatin) for a conversation on the history, significance, and legacy of Show Boat – including the reimagined staging at NYU Skirball in January 2025 – in the NYU Skirball Lower Lobby.
Show Boat – a 1927 musical with a score by Jerome Kern, book and lyrics by Oscar Hammerstein II, based on Edna Ferber’s 1926 novel – is universally recognized by scholars of American theater and musical theater as a seminal text and a groundbreaking (and popular) addition to the Broadway canon. The musical was groundbreaking in its use of narrative, race, American culture, gender politics, and epic storytelling back in 1927. Show/Boat: A River will be the first production of Show Boat since it has entered the public domain and therefore the first production that can be reinterpreted without any restrictions from the original rights holders.
Professors Dinwiddie and Maslon will hold a free-form discussion about how Show Boat continues to engage, enrage, entangle, and entertain audiences after nearly a century in the spotlight of American culture.
Free and open to the public.
artists
artists
Michael D. Dinwiddie
Michael D. Dinwiddie’s teaching interests include cultural studies, African American theater history, dramatic writing, filmmaking and ragtime music. A dramatist whose works have been produced in New York, regional, and educational theater, he has been playwright-in-residence at Michigan State University and St. Louis University and taught writing courses at the College of New Rochelle, Florida A&M University, SUNY Stony Brook, California State University at San Bernardino, and Universidad de Palermo in Buenos Aires, Argentina. He spent a year at Touchstone Pictures as a Walt Disney Fellow and worked as a staff writer on ABC-TV’s Hangin’ with Mr. Cooper. He was awarded a 1995 National Endowment for the Arts Fellowship in Playwriting. Professor Dinwiddie received a 2005 NYU Distinguished Teaching Award in recognition that one of NYU’s primary institutional priorities, along with research, is exceptional teaching inside and outside of the classroom setting. In 2015, he was awarded a team-teaching grant from NYU Humanities Initiative for the course “Movements for Justice and Rights: Let Them Lead the Way.” His course offerings include Migration and American Culture; Dramatizing History I and II; Poets in Protest: Footsteps to Hip-Hop; James Reese Europe and American Music; Sissle, Blake and the Minstrel Tradition; Guerrilla Screenwriting; Motown Matrix: Race, Gender and Class Identity in “The Sound of Young America;” and the study-abroad course Buenos Aires: In and of the City.
Jennifer Krasinski
Jennifer Krasinski is a writer and cultural critic who contributes to 4Columns, Bookforum, the New York Review of Books, the New Yorker (Goings On), and other publications. Her essays have been published in numerous books and catalogs including Reza Abdoh, Jill Johnston: The Disintegration of a Critic, and Hilton Als’s Andy Warhol: The Series. She was an art columnist for the Village Voice from 2014 to 2018, and served as both senior editor at Artforum and later as the magazine’s digital editorial director. She taught at Art Center College of Design, New York University, Yale University, and is currently teaching in the MFA Art program at Lesley University. She is the recipient of an Andy Warhol Foundation Arts Writers Grant (2012), a Rauschenberg residency, and is a 2023–24 MacDowell fellow.
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