Four people sit in a row onstage under dramatic lighting; the two men in the middle appear distressed, with one yelling, while the women on each end look somber and contemplative.

2026/27 Season

OCT 1&2

EWA DZIARNOWSKA: THIS RESTING, PATIENCE

Sit inside the dance.

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OCT 8-10

TOM AT THE FARM

The funeral is over. The lying has just begun.

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A shirtless person stands center stage, arms outstretched and head tilted back, as powder dramatically bursts around them in orange lighting.
OCT 15-17

Manual Cinema: The 4th Witch

Watch the movie get made.

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A silhouette of a small girl stands alone, surrounded by dark, twisted tree branches that form a circular frame, creating a sense of isolation and eeriness.
OCT 22-24

Rabih Mroué & Lina Majdalanie: Four Walls and a Roof

What the artist tells the state.

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Two people with curly hair sit side by side on a dark stage, facing each other. A person at a piano is dimly visible in the background, partially out of the light.
OCT 29

Julia Wolfe & Bang on a Can All-Stars: Anthracite Fields

The coal country sings.

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A choir and musicians perform on stage, with a large historic black-and-white photo of children in hats and coats projected behind them.
NOV 5-7

Sankai Juku: TOTEM — Void and Height

Fifty years coming to rest.

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Five dancers wearing white costumes and head coverings pose with arms raised, standing in a row on a dimly lit stage with a vertical reflective panel beside them.
NOV 12-15

Dead Centre: Deaf Republic

Silence has never been this loud.

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Five people are suspended by harnesses on stage in dramatic lighting and mist, appearing to hang limply in front of a brick wall, creating a haunting, theatrical scene.
NOV 20&21

Joris Lacoste: Nexus de l’adoration

A liturgy for no religion.

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A performer kneels on a platform with arms open, surrounded by colorful beams of light and mist, creating a dramatic, vibrant stage effect.
Jan 13-16

Minor Theater: Pity Whore

No one walks away clean.

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Person with tousled brown hair wearing a black collar with an O-ring, looking confidently at the camera against a white background.
FEB 4-6

Cullberg / Faye Driscoll: flesh chariot, chariot of flesh

Many bodies, one breath.

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Six people, some blurred in motion, move around a man in black standing still at the center. The scene is dynamic and intense, with dramatic body language against a dark background.
FEB 11-13

Milo Rau: Medea’s Children

The children tell it this time.

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A film crew records actors in costume on a foggy set, while a giant projection of a woman’s face with long hair appears in the background, creating a surreal, dramatic scene.
FEB 18-20

Pizza or A Door In The Dark Does Not Dance or The Meaning of Life

Small opera. Largest things.

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Two shirtless men pose in a room with wooden walls, scattered chairs, darts on the wall, and a mounted deer head. One man raises his arms; the other has a long beard and holds flowers. Others stand in the background.
MAR 18-20

Angélica Liddell: Seppuku

Theater at its outer edge.

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A muscular person in red posing trunks flexes on stage facing a golden wall, while a person in white sits on the floor nearby with an IV stand and bags.
MAR 31 – APR 3

Romeo Castellucci: Bros

One rule: obey.

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A group of people in dark uniforms pose around a large framed photo of a baboon under a spotlight, with one person holding handcuffs next to the photo.
APRL 15-17

David T. Little / Garth Greenwell / Karim Sulayman / Mark Morris / Alarm Will Sound: What Belongs to You

Desire keeps its own accounts.

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A man in a white shirt and jeans kneels on stage, gesturing emotionally. Behind him, musicians play various instruments under stage lights, creating a dramatic performance scene.
APRIL 22-24

Anne Teresa De Keersmaeker: Il Cimento dell’Armonia e dell’Inventione

The Four Seasons, made strange again.

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Four people in sleeveless mesh shirts stand in a small circle, raising their arms and touching hands above their heads, as if in a group cheer or celebration. The background is dark and minimalist.