Raven Chacon is a Pulitzer Prize–winning composer, performer and installation artist from Fort Defiance, Navajo Nation. As a solo artist, Chacon has exhibited, performed, or had works performed at LACMA, The Renaissance Society, San Francisco Electronic Music Festival, REDCAT, Vancouver Art Gallery, Haus der Kulturen der Welt, Borealis Festival, SITE Santa Fe, Chaco Canyon, Ende Tymes Festival, and The Kennedy Center. As a member of Postcommodity from 2009-2018, he co-created artworks presented at the Whitney Biennial, documenta 14, Carnegie International 57, as well as the 2-mile long land art installation Repellent Fence. A recording artist over the span of 22 years, Chacon has appeared on more than eighty releases on various national and international labels. His 2020 Manifest Destiny opera Sweet Land, co-composed with Du Yun, received critical acclaim from The LA Times, The New York Times, and The New Yorker, and was named 2021 Opera of the Year by the Music Critics Association of North America.
Since 2004, he has mentored over 300 high school Native composers in the writing of new string quartets for the Native American Composer Apprenticeship Project (NACAP). Chacon is the recipient of the United States Artists fellowship in Music, The Creative Capital award in Visual Arts, The Native Arts and Cultures Foundation artist fellowship, the American Academy’s Berlin Prize for Music Composition, the Bemis Center’s Ree Kaneko Award, the Foundation for Contemporary Arts Grants to Artists Award (2022) and the Pew Fellow-in-Residence (2022). His solo artworks are in the collections of the Whitney Museum of American Art, the Smithsonian’s American Art Museum and National Museum of the American Indian, Los Angeles County Museum of Art, Getty Research Institute, the University of New Mexico Art Museum, and various private collections.
Catharine Stimpson is a University Professor at New York University and Dean Emeritus of the Graduate School of Arts and Sciences. She was the founding editor of Signs: Journal of Women in Culture and Society. Her many other publications include a novel, Class Notes; a reprinted selection of essays, Where the Meanings Are: Feminism and Cultural Spaces; and extensive work on Gertrude Stein. In addition, more than 150 of her monographs, essays, stories, and reviews have appeared in Transatlantic Review, The Nation, The New York Times Book Review, Critical Inquiry, boundary 2, and other publications. Her extensive public service includes serving as the Chair of the National Advisory Committee of the Woodrow Wilson National Fellowship Foundation and past president of the Association of Graduate Schools. She is former chair of the New York State Humanities Council, the Ms. Magazine Board of Scholars, and the National Council for Research on Women, as well as past president of the Modern Language Association. She serves on the boards of other educational and cultural organizations, and is on the board of Scholars at Risk and New York Live Arts. She has been awarded both Fulbright and Rockefeller Humanities Fellowships, as well as grants from the Ford Foundation and the National Endowment for the Humanities.
SUPPORT
NYU Skirball’s presenting programs are made possible with support from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; and by Howard Gilman Foundation; FACE Contemporary Theater and FUSED (French U.S. Exchange in Dance), programs of FACE Foundation in partnership with Villa Albertine with support from the Florence Gould Foundation, The Ford Foundation, Institut français (Paris), the French Ministry of Culture, and private donors; General Delegation of the Government of Flanders to the USA; Collins Building Services; Marta Heflin Foundation; Mertz Gilmore Foundation; as well as our valued donors through memberships, commissioning, and Stage Pass Fund support.