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Past Indefinite Articles

    Naomi Clark on “Asses.Masses”

    Naomi Clark on “Asses.Masses”

    Any one of us could take our turn next, to drive the tale forward.

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    Nisha Sajnani on All Right. Good Night.

    Nisha Sajnani on All Right. Good Night.

    Theatre, like therapy, does not erase loss but helps us carry it.

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    Julie Malnig on “Open Machine”

    Julie Malnig on “Open Machine”

    What shape does technology and specifically AI take in dance, the most corporeal of art forms?

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    Shannon O’Neill on Everyday Anarchism

    Shannon O’Neill on Everyday Anarchism

    Renowned anarchists make their mark, too, in everyday ways.

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    Normandy Sherwood on What’s Alive

    Normandy Sherwood on What’s Alive

    Is smell the most human of human faculties? Or simply the most sentimental? 

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    Pamela Pietro on Seán Curran

    Pamela Pietro on Seán Curran

    Music is the motor for dancing.

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    Judi Lewis Ockler on “Amour, Acide et Noix”

    Judi Lewis Ockler on “Amour, Acide et Noix”

    You had me at nudity.

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    J de Leon on Masterclass

    J de Leon on Masterclass

    In Masterclass, genius is a two-hander, at best; and arguably even better with more hands.

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    George Lewis on Composing While Black

    George Lewis on Composing While Black

    The AACM continues to ever more strongly exemplify the very sound of freedom.  

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    Susanne Wofford on Mary Stuart

    Susanne Wofford on Mary Stuart

    Mary enacted a fine and dignified role, seeing her death in the context of an imitation of Christ.

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