Marc Robinson on the Wooster Group
Inferences never ripen into certainties, nor are the ruins replaced by convincing replicas.
Inferences never ripen into certainties, nor are the ruins replaced by convincing replicas.
Is the cellist dancing? Are the dancers playing? Who is following whom? Who is accompanying whom?
Explosive micro-spectacles erupt in Florentina Holzinger’s Apollon like waves crashing relentlessly across the stage.
Okada explores transhistorical, transnational anomie brought on by contemporary globalization.
Are we the arrested? And is Joseph K. innocent? He doesn’t know. And neither do we.
Galván always brings a singular exuberance and joy to the art of flamenco.
Art and academic life are the first targets of any regime desiring to destroy civil rights, human rights, and the
The dancing is daring and strangely compelling; it both seduces and confronts the audience, embodying the longing, restlessness, even violence,
There is an alchemy to the art of cultural mixture. Musicians have always reached across borders, inspired by the infusion
Hebel takes its title from a Hebrew word in the biblical book Ecclesiastes. A roomy word, it contains multitudes.