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Past Indefinite Articles

    Shannon O’Neill on Everyday Anarchism

    Shannon O’Neill on Everyday Anarchism

    Renowned anarchists make their mark, too, in everyday ways.

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    Normandy Sherwood on What’s Alive

    Normandy Sherwood on What’s Alive

    Is smell the most human of human faculties? Or simply the most sentimental? 

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    Pamela Pietro on Seán Curran

    Pamela Pietro on Seán Curran

    Music is the motor for dancing.

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    Judi Lewis Ockler on “Amour, Acide et Noix”

    Judi Lewis Ockler on “Amour, Acide et Noix”

    You had me at nudity.

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    J de Leon on Masterclass

    J de Leon on Masterclass

    In Masterclass, genius is a two-hander, at best; and arguably even better with more hands.

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    George Lewis on Composing While Black

    George Lewis on Composing While Black

    The AACM continues to ever more strongly exemplify the very sound of freedom.  

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    Susanne Wofford on Mary Stuart

    Susanne Wofford on Mary Stuart

    Mary enacted a fine and dignified role, seeing her death in the context of an imitation of Christ.

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    Richard Schechner on Robert Wilson

    Richard Schechner on Robert Wilson

    Wilson is first and foremost an architect of performance.

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    Gwendolyn Alker on Florentina Holzinger

    Gwendolyn Alker on Florentina Holzinger

    Florentina Holzinger’s TANZ puts the female body at the center of narratives of violence.

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    Laurence Maslon on Show/Boat: A River

    Laurence Maslon on Show/Boat: A River

    Show Boat was the most advanced and adventurous musical of its day by a nautical mile.

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