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Past Indefinite Articles

    Elizabeth Bradley on Wang Chong & Théâtre du Rêve Expérimental

    Elizabeth Bradley on Wang Chong & Théâtre du Rêve Expérimental

    This is subversive political theatre expressed in breathtaking visual semaphore.

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    Laurence Maslon on the Hypocrites

    Laurence Maslon on the Hypocrites

    The reception from the buoyant and boisterous Americans was beyond anything the British musical team could have imagined.

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    Dan Streible on Rick Prelinger

    Dan Streible on Rick Prelinger

    Rick Prelinger’s ongoing Lost Landscapes project continues his life’s work of saving thousands of neglected films.

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    Ann Pellegrini on Truscott and Bond

    Ann Pellegrini on Truscott and Bond

    When the joke’s on you, perhaps the best defense is getting there first?

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    Ben Ratliff on the Sachal Ensemble

    Ben Ratliff on the Sachal Ensemble

    Lahore, historically one of the great musical centers of the Indian sub-continent.

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    Sheril Antonio on DJ Spooky

    Sheril Antonio on DJ Spooky

    Arthur D. Danto says that “A work of art is an externalization of the artist’s consciousness.”

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    Robert Rowe on Morton Subotnick

    Robert Rowe on Morton Subotnick

    “1967 was, of course, a year of many milestones.”

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    Zorn on Zorn

    Zorn on Zorn

    For me, music is about people, not spectacle. 

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    Oskar Eustis on the Freedom Theatre

    Oskar Eustis on the Freedom Theatre

    The very essence of the drama is empathy, the act of seeing through the eyes of someone different than yourself.

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    Judith Graves Miller on “In the Solitude of the Cotton Fields”

    Judith Graves Miller on “In the Solitude of the Cotton Fields”

    Bernard-Marie Koltès’ dark and heady theatre pieces take us to an uncomfortable and unfinished world.

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