The blocks neighboring the Skirball Center provided the seedbed of America’s avant-garde.

When cultural historian Steven Watson heard that the Skirball Center wanted to do a celebration of Downtown Performance, he suggested a collaboration with his website Artifacts.movie, shooting in-depth interviews with the living legends of performance.

 

The Downtown Performance Series

JoAnne Akalaitis

Raised in Cicero, Illinois, JoAnne Akalaitis (June 29, 1937 – ) went from pre-med studies at the University of Chicago and philosophy at Stanford, dropping out before graduation to pursue theater in the Bay Area. Her work with the San Francisco Mime Troupe signaled a life-long interest in political theater. While studying with Jerzy Grotowski in Paris, she grew close to Philip Glass, marrying in 1965. With Lee BreuerRuth Malaczech and David Warrilow, they founded the seminal performance collective Mabou Mines in 1970. Akalaitis’s career as a director has spanned many genres and theater companies, and she has been given five Obie Awards.  JoAnne Akalaitis succeeded Joe Papp as the artistic director of the Public Theater (1991-1993).

Richard Foreman

After studying theater at Brown and Yale, Richard Foreman (1937 – 2025) settled in Soho during its early art years.  Scoffing at Broadway theater, he found a handful of productions that inspired him—notably at The Living Theater—but felt greater kinship with Jonas Mekas’s Filmmakers Cooperative. Foreman created the Ontological-Hysteric Theater in 1968, and its productions of Foreman’s gnomic plays resembled no other—non-narrative, rooted in the process of the mind, deliberately alienating in its presentation of harsh noise, complex sets, and non-lifelike acting. Richard Foreman has won three Obie Awards and written more than fifty plays.

Coming This Spring

John Vaccaro

Richard Schechner

Learn More

Artifacts was founded by Steven Watson, a cultural historian renowned for his documentation of artistic and cultural movements in the 20th century. Watson’s vision for Artifacts was born out of a lifelong dedication to capturing the stories of artists, thinkers, and cultural disruptors. Over more than 40 years, Watson compiled a unique archive of interviews and footage, representing some of the most groundbreaking moments in modern cultural history.

The genesis of Artifacts began in 1981 with the publication of Artifacts at the End of a Decade, a landmark project conceived by Watson and Carol Venezia. This boxed multiple featured the work of 44 artists from New York City’s 1970s avant-garde scene. Artifacts at the End of a Decade has been celebrated as an unprecedented artistic archive and is part of the permanent collections of esteemed institutions like MoMA, Centre Pompidou, and the Tate Modern.

Developed in conjunction with filmmaker and creative director William Markarian-Martin, Artifacts’ online platform launched to bring these stories to a broader audience, preserving them digitally and ensuring they are available to all. This approach reflects Artifacts’ commitment to accessibility, allowing the legacy of avant-garde and underground movements to be explored and understood in new and meaningful ways.

Learn more at Artifacts.movie.