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A Reading List From Zorn Himself

Jacques Attali, Noise: The Political Economy of Music (Minneapolis: University of Minnesota Press, 1985).

Antonin Artaud, Watchfiends & Rack Screams: Works From the Final Period (New York: Exact Change, 2004).

Derek Bailey, Improvisation: Its Nature And Practice In Music (Boston: Da Capo Press, 1993).

Stan Brakhage, Essential Brakhage (Kingston, NY: McPherson, 2001).

Paul Celan, Breathturn into Timestead: The Collected Later Poetry (New York: Farrar, Straus and Giroux, 2014).

Aleister Crowley; Scott Michaelsen (ed.), Portable Darkness: An Aleister Crowley Reader (Sun Vision Press, 2012).

Guy Debord, Donald Nicholson-Smith (trans.), Society of the Spectacle (Detroit: Black & Red, 2000).

Emily Dickinson, The Complete Poems of Emily Dickinson (Boston: Back Bay Books,1976).

Richard Foreman; Gerald Rabkin (ed), Richard Foreman (Art + Performance) (Boston: PAJ Publications, 2005).

Martin Gayford, The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Provence (New York: Mariner Books, 2008).

Jean-Luc Godard; Tom Milne (ed., trans.), Godard On Godard (Boston: Da Capo Press, 1986).

Heraclitus, Fragments (New York: Penguin Classics, 2003).

Lewis Hyde, The Gift: Creativity and the Artist in the Modern World, Twenty-fifth Anniversary Edition (New York: Vintage, 2007).

Paola Igliori, ed., American Magus Harry Smith: A Modern Alchemist (Inanout Press: 1996).

Harry Mathews and Alastair Brotchie (eds.), Oulipo Compendium (Los Angeles: Make Now Press, 2005).

Nicolas Slonimsky (ed), Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven’s Time (New York: W. W. Norton & Company, 2001).

Toru Takemitsu, Confronting Silence: Selected Writings (New York: Scarecrow Press, 1995).