Past Indefinite Articles

What might two films premiering in 1922 and an eight-square-foot closet in the East Village today have in common? 

Their characters are deeply flawed, complicated beings. As are we all.     

Perspectives from current and former captains of NYU’s Step Team.

Inferences never ripen into certainties, nor are the ruins replaced by convincing replicas.

Is the cellist dancing? Are the dancers playing? Who is following whom? Who is accompanying whom?

Explosive micro-spectacles erupt in Florentina Holzinger’s Apollon like waves crashing relentlessly across the stage.

Okada explores transhistorical, transnational anomie brought on by contemporary globalization.

Are we the arrested? And is Joseph K. innocent? He doesn’t know. And neither do we.

Galván always brings a singular exuberance and joy to the art of flamenco.

The dancing is daring and strangely compelling; it both seduces and confronts the audience, embodying the longing, restlessness, even violence,