Ethan Philbrick on Anne Teresa De Keersmaeker
Is the cellist dancing? Are the dancers playing? Who is following whom? Who is accompanying whom?
Is the cellist dancing? Are the dancers playing? Who is following whom? Who is accompanying whom?
Explosive micro-spectacles erupt in Florentina Holzinger’s Apollon like waves crashing relentlessly across the stage.
Okada explores transhistorical, transnational anomie brought on by contemporary globalization.
Are we the arrested? And is Joseph K. innocent? He doesn’t know. And neither do we.
Galván always brings a singular exuberance and joy to the art of flamenco.
The dancing is daring and strangely compelling; it both seduces and confronts the audience, embodying the longing, restlessness, even violence,
Art and academic life are the first targets of any regime desiring to destroy civil rights, human rights, and the
There is an alchemy to the art of cultural mixture. Musicians have always reached across borders, inspired by the infusion
Hebel takes its title from a Hebrew word in the biblical book Ecclesiastes. A roomy word, it contains multitudes.
“The idea for this piece came from the gods.”